[a] It's the biggest event in the Cleveland Opera's history. The 21-year-old company's other productions include "Cafe Theater," opening in March, and Carl Reiner's "Enter Laughing," slated for May. I've included this monologue below, since it requires putting three speeches together.2. Saunders and Max try to block assorted groupies, including an ** opera-singing bellhop, the ambitious opera singer Diana, opera guild president Julia Leverett and Saunders' daughter, Maggie. Seeking 2 Actor Team for Spring AUDITION REQUIREMENTS: Please bring a current headshot & resume. But when he becomes incapacitated, it's up to meek and mild. Gain full access to show guides, character breakdowns, auditions, monologues and more! Please enable JavaScript to experience Vimeo in all of its glory. Gain full access to show guides, character breakdowns, auditions, monologues and more! The eight-member cast had to learn lines quickly to free their hands and bodies for the physical comedy and synchronized timing that is typified by the hilarious dual love scene. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. Still do the performance? When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. A sequel titled Comedy of Tenors was written by Ludwig. As the play closes, Max and Maggie share a kiss. The show, launching the Columbia Community Players (CCP) third all-comedy season, will be presented at 8 p.m. today and tomorrow, and Nov. 4 and 5 at Slayton House in Columbia. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. The play was produced on both the West End (1986) and Broadway (1989). Acting Monologues . It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. Research Playwrights, Librettists, Composers and Lyricists. Of course! Tickets are $7 for seniors and students. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. It was directed by Larry Carpenter. To achieve the bold 1930s art deco set of black, white and red and coordinating costumes that add to the production's sleek and elegant effect, costume designer Lindy Davis combed thrift shops and theater companies for authentic period clothing. Research Playwrights, Librettists, Composers and Lyricists. However, Saunders comes up with a plan. At the end of the play, things are sorted out. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. Maria returns to the hotel and makes up with the bewildered Tito, while Max manages to step into the bathroom long enough to change out of his Othello costume and wig, and emerge as himself. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. Maybe I should wait here. Much later (Scene II), Max is unable to wake Tito from his nap. Come join me, will you? Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. Sign up today to unlock amazing theatre resources and opportunities. Julia Chairman of the Opera Guild. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! By the time we reach the endwellits not over. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. We will place the best person for those roles, whether they sing or not. Oh oh oh absolutely. The play's success can be chalked up to its convoluted plot of witty dialogue, quick pacing, dual action and stirring operatic moments. Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. Lend Me a Tenor has been translated into sixteen languages and produced in twenty-five countries. As the second act opens, Saunders and Max return to the hotel suite. Click the start the download. temporary. For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. Lend Me a Tenor guide sections. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. Monologues from Plays. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morellis Canio costume and fool the audience into thinking hes Il Stupendo. Seeking 2 Actor Team for Spring Research Playwrights, Librettists, Composers and Lyricists. Lend Me a Tenorhas been translated into sixteen languages and produced in twenty-five countries. Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. Make Salome look like The Merry Widow!To ask Ken a question, click here. . Join StageAgent today and unlock amazing theatre resources and opportunities. Take a look at our The winner of two Tony Awards and four Drama Desk Awards has been translated into 16 languages and turned into a screenplay for Columbia Pictures. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. MAGGIE SAUNDERS: Saunder's daughter, and Max's girlfriend. The play opened in a revival in New York City on April 4, 2010 at the Music Box Theater produced by The Araca Group,Stuart Thompson,Carl Moellenberg,Rodney Rigby,Olympus Theatricals,Broadway Across AmericaandThe Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) with the following cast: MAX - Justin Bartha; MAGGIE - Mary Catherine Garrison; SAUNDERS - Tony Shalhoub; TITO - Anthony LaPaglia; MARIA - Jan Maxwell; BELLHOP - Jay Klaitz; DIANA - Jennifer Laura Thompson; JULIA - Brooke Adams, Directed by Stanley Tucci; Set Design by John Lee Beatty; Costume Design by Martin Pakledinaz; Lighting by Kenneth Posner; Sound Design byPeter Hylenski; Hair and Wig Design byPaul Huntley; Make-Up Design byJoe Dulude, II; Associate Scenic Design:Kacie Hultgren; Associate Costume Design:Sarah Sophia Lidz; Associate Lighting Design:Aaron Spivey; Associate Sound Design:Keith Caggiano, ArtZany: Lend Me a Tenor with director Marc Robinson, LEND ME A TENOR Is Frantic, Frenetic Farce at Theatre Harrisburg, Ask Someone to Lend You a Ticket to LEND ME A TENOR. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. Maggie. Still wearing his Othello costume, Max leaves the hotel suite and runs to find Saunders. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. Wearing Tito's costume and makeup, Max will star in the opera performance. It starts spinning early in the show and just never stops. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall New York, NY, Linda Ray Audition Packets are available on the website. Saunders' harried assistant, Max, is also in the hotel suite. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. Search all monologues. It was directed by Larry Carpenter. Monologues for Women; Comedic; . Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Use the understudy? Information: 381-4864. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. 'S the biggest event in the hotel suite Tito Merelli, and Max #... His Othello costume, Max leaves the hotel suite and Max & x27! Leaves the hotel suite Comedy hit of the play closes, Max is for! 1, lend me a tenor maggie monologue a sofa and chairs at right and a bedroom at left monologues! 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